Sunday, March 22, 2009

The Living Wisdom of Mirabai

Mom canceled our plans to go to a Patrick Ball concert last night, because she had been to see the Living Wisdom School play the night before and was so impressed she wanted to see it again with me. So we went to that, and I'm more than happy that we did. I would recommend that everyone go see it, except that last night was the final show.

Every year, LWS puts on an original play about the life of a great spiritual figure. In the past they've done Buddha, Jesus, Moses, St. Francis, Martin Luther King Jr., Kuan Yin, Yogananda, and others. This year it was Mirabai, a 16th century "mystic poet princess of India." I'd never known much (well, anything) about her, nor have I ever been particularly interested in devotional poetry such as she wrote, but this was a wonderful way to learn. What really struck me, though, was an overall sense of how truly uplifting the whole production was for everyone involved -- actors and audience alike.

The cast is made up of about 60 kids, ages 4 through 14. A few of the larger roles are played by more than one child -- there were five Mirabais, for instance, who would sometimes take scenes individually and sometimes work together (it sounds odd, but made sense in practice). This probably makes it easier for the littler kids to make it through a full length play, but it also lets more of them have more types of roles. And nearly everyone had multiple roles, even if they weren't Mirabais. The way Mom put it, this gives everyone a chance to experience lots of different ways of being -- they can express their royal nature, their devotional nature, their warrior nature, their peacock nature, etc., one right after the other. It's like the karmic actors concept I wrote about recently, but compressing multiple lifetimes into a single play.

And a lot of these kids really rose to the occasion in their roles. The three primary Mirabais, all age 10, were especially impressive. They tended to look kind of like you'd expect awkward 10-year-olds in costume to look, but it was amazing what they put into their performances once they started speaking. The smallest of these, in particular, had such a powerful presence that she seemed to be just absolutely channeling Mirabai herself when she was reciting some of the poems. Another of them sang a song in some Indian language, which of course I couldn't understand, but which was just so heart-achingly beautiful that I couldn't do anything but stare at her and cry the whole way through.

Of course, watching all of the kids was an absolute delight. They're all wonderful and they're all putting so much of themselves into such a good work that it's impossible not to just sit there and love them. Even crying through Mirabai's song, even during the treacherous or tragic parts of the plot, I just had an immense grin on my face and in my heart the whole time. And I realized that this is giving us a glimpse -- on a human scale -- of the sort of love God must have for us. We may be acting out all sorts of wonderful or ridiculous things here on Earth, being a priest in this lifetime or scene, and a warrior in the next. But He loves the souls behind all that, just like we love the children doing the acting, and a constant sense of joy and love permeates everything as the true core of what's going on.

I'll leave you with one of Mirabai's poems. Perhaps not the most typical of them, but the one that still makes me laugh when I think of the five little girls in blue dresses up on stage, reciting the last lines together.

Mira Knows Why
The earth looked at Him and began to dance.
Mira knows why, for her soul too
Is in love.
If you cannot picture God
In a way that always
Strengthens you,
You need to read
More of my poems.

Sunday, March 08, 2009

Karmic Actors, and Forgiveness

I've recently been listening to a lot of Asha Praver's talks and classes, which are all available to download from the Ananda website. A couple of points really caught my attention as a very elegant description of, well, everything that truly needs to be summed up:
  1. The spiritual path is a continual process of becoming aware of and understanding the laws of cause and effect at progressively subtler levels. I find this fascinating for the sheer range of human experience it covers, i.e. all of it -- from a clueless jerk who doesn't understand why nobody likes him, to a guru who can describe the karmic path of your soul across lifetimes.
  2. This learning is part of the overall quest to seek joy and avoid suffering. This sounds like a rather selfish cause, and at a lot of the lower levels it does manifest that way, but the point is that you eventually realize that only divine joy and not worldly joy will really achieve this fully. So it's okay. :-)
In the course of this quest, our souls try to have literally* every possible experience, trying to figure out what will make us actually, lastingly happy. The more we do so, the more we learn and the more we evolve spiritually. Paramhansa Yogananda teaches that if we have no desire to do a particular thing (e.g. commit murder) that is only because we have done it enough in the past that we've learned it doesn't work. And absolutely everything that people do, including both committing murder and being murdered, is a continuation of this learning process.

I like this because I try to make a habit of learning whatever I can from whatever happens in life, whether good or bad. But it also has important implications for the topic of forgiveness, which I think is a major lesson that's been trying to work its way through my life for some time now. David Praver spoke about this at the service today, specifically about just accepting whatever comes as being for our own ulitmate good, learning, and enlightenment.

This isn't to just completely condone any and all actions, of course. If someone hurts me, I should still find the best way to resolve the situation, and not just give up and take it. If I'm being cruel to someone else, I shouldn't justify it, but try to catch myself in it and make a change. But I suppose that's because I've already had -- somewhere in the past -- the experiences of just giving up, or of being mercilessly cruel, and now I'm ready to start doing better.

The important point in terms of forgiveness is to recognize the essential role other people play in this process, even if it seems horrendous or hurtful. Tormentor and victim are each going through their own necessary experiences, while at the same time acting as a foil for the other. And they will each flip and take on different roles for different experiences, if not in this lifetime then in another. A movie wouldn't be very interesting without a villain for some conflict, even though that actor isn't inherently an evil person and may play the hero in the next movie.

Deepak Chopra makes this point beautifully at the very end of Jesus: A Story of Enlightenment (a parallel to his Buddha book that I wrote about previously). The narrator is an old Himalayan yogi who met Jesus and has been sharing his story with us:

Sometimes I went to the bright line etched between this world and that. I met Jesus there. We never talked but simply bathed in the radiance that conquers all illusions.

I didn't tell Thomas about these journeys. He would have believed me. But he never would have believed that Jesus brought Judas along.

"You are a great soul," I told Judas. "You were willing to play the villain on earth. You must love Jesus very much."

Judas was modest about accepting praise. All he would say was, "The earth is God's child. How could I not help a child?" It was understood among us that without Judas, there couldn't be this new thing, Christianity.
[pg 249]

Isn't that a glorious way to look at Judas? "You must love Jesus very much." May we all aspire to see that level of good in everyone around us.

- - - - -
* This is one of those things that is easier if you accept the idea of reincarnation, but which still conceptually "works" even if you restrict it to just one lifetime. For instance, I've at various times noticed myself in one relationship acting out the reverse role of the same issue from a previous relationship. Even if one role felt very foreign to me, it was as if some part of myself had to check, and try it out, just to make sure.

Monday, March 02, 2009

Waltzing in Bozeman

After the Dance Lacey and I flew out to Bozeman, Montana this weekend to visit Antonia for her birthday. (And in the process, met Keri, another visiting friend who, it turns out, lives just a few blocks from me.)

I must admit that I was moderately terrified of leaving comfy California for somewhere with highs that barely cross freezing temperature. But it turned out to be not too bad. Going to the Norris hot springs at night was quite a contrast, though. It's very daunting to change into a bathing suit in 20° weather and make the scurry over to the warm water. (Which you want to go into slowly because of the dramatic temperature change, but also quickly to get out of the cold.) Then your body gets all cozy but your head is sticking out in the freezing air. Golly. But the core warmth stays with you for a while afterwards, which is really nice.

Apple Pie We spent a lot of time in the kitchen over the weekend. In addition to actual meals, we made oatmeal raisin cookies, brownie bites, an apple pie, several lemon cheesecakes, and perhaps other stuff I've forgotten already. Most of these were snacks for Sunday's event. Oh, and Antonia has the most wonderful gigantic drawer of tea. It's an absolute delight to behold and sample from.

Cross-step Waltz Lesson On Sunday night we had the "excuse" for the whole visit: Bozeman's first ever Waltz Night. Antonia has always liked Friday Night Waltz out here in the Bay Area, and has been wanting to take the concept out to Montana for a long time. So she organized it all and I agreed to help by teaching a cross-step waltz lesson and DJing.

Me and Antonia It was a very satsifyingly successful dance. Not a huge group for what I'm used to, but for a smaller town and a brand-new event, it was very good. We had contra dancers and tango dancers and ballroom dancers all show up, and we did the usual FNW sort of mix of dances, plus a contra and a circle mixer. The last waltz was fun, too, since we developed an amoeba of about 9 or 10 people that found several amusing ways to all dance with Antonia at once. A lot of folks thanked us for running it and seemed very happy about it overall, which made us all glad.

After the dance, we had a celebratory late night "dinner," which in my case consisted mostly of ice cream and cheesecake. Which didn't help me sleep much last night. Which in turn made it harder to get up at 5AM for the plane flight this morning. So I'm probably going to go to bed soon....

Wednesday, February 04, 2009

Detachment, Unity, and Choice

[A bit more here on the subject of choice, since it seems to be a theme in my mind these days.]

When I was learning Vipassana at my first meditation retreat -- almost a year ago now -- I had one main concern about it. It seemed to me that if you really did manage to let go of desires and aversions, then you would end up never doing anything ever again. How would you make choices? Why would you bother taking any actions? I forget precisely what the teacher told me when I asked about it, and I don't think I fully got it at the time, though I decided it was enough to be getting on with, at least.

The idea is that detachment actually allows you to make completely free choices, unencumbered by fears, worries, selfish desires, etc. That leaves you open to base your decisions and actions solely on whatever knowledge, wisdom, and love you may have. Which is generally better than what we usually do.

I recently read a couple of excellent books by Deepak Chopra that illustrate this really well. The first is Buddha: A Story of Enlightenment. I was surprised to find a portion of the story that took place between Gautama losing his sense of self and his becoming fully enlightened. A peasant girl has found him emaciated and nearly dead, and is nursing him back to health. He's aware of everything around him, but is so detached that there's just nothing there -- no great spiritual leader, no nothing. I found it somewhat alarming but also fascinating at the same time, because that was exactly the fear that came to me last March.

So what is left to do at this point? The final change occurs when he stops identifying with nothing, and begins to identify with everything. That is what makes a Buddha.

But there's still the question of choice. If anything, the Buddha has far more choices after enlightenment, with knowledge and options far beyond what most of us realize. He could even choose to simply remain sitting under the bodhi tree and enjoy his oneness with everything forever. But in his omniscience he also realizes that there are countless other souls out there, still imagining themselves to be separate, alone, and suffering. And the same spiritual passion that drove him for years to find his own enlightenment now guides him to do the same for his newly expanded, universal "self." So he again picks up the body that "he" started in, because all the individuated souls will need that in order to understand how to relate to him, and he uses that to go forth and teach.

The other of Chopra's books I wanted to mention was The Book of Secrets: Unlocking the Hidden Dimensions of Your Life. This is an incredible but very challenging book, because I think it takes you as far towards complete universal oneness as you can get through mere words and intellect.

But even if we don't get so far as believing/understanding that we are the universe, hopefully we can all agree that we're at least a part of the universe, simply by virtue of being in it. So our choices and actions at any level really are affecting, changing, and therefore creating the universe. We can't help it. Thinking about things that way gives us an interesting new framework of significance or even responsibility in which to evaluate what we do. How might we make different choices if we view them in terms of creating the universe we live in?

Saturday, January 10, 2009

Love, Obedience, and Choice

One of our (extended-)family traditions is picking an angel card at the beginning of each year. If you aren't familiar with angel cards, each one has a positive quality written on it (e.g. "Happiness," "Freedom," etc.) and you just choose one at random. It's not meant to be predictive or anything, but more of a suggestion. It challenges you to consider how that quality manifests in your life, and to see if you can be more aware of it, or encourage it more for that day, or within whatever context you chose it for. Again, they're all positive, so you can't really get a "wrong" or "bad" one.

That said, there are definitely a few cards that tend to elicit more groans than others. The card I drew on New Year's Day for 2009 was "Obedience." That tends to get more of the "ha ha, now you have to do everything we say" sort of response from the people around you when you draw it. But given that it's my card for the year, I've been doing some thinking to see what else I can make of it.

First, I'll back up a bit. I also like to pick a "personal year" (as opposed to "calendar year") angel card on my birthdays, so at any given time I have two overlapping "themes" to be conscious of. For my current personal year, which I'm right in the middle of, I have "Love."

"Love" has the obvious emotional readings regarding romantic love, familial love, etc. and those are certainly all good. But another aspect to it is that of choice. Where does "following your heart" take you? What people, or activities, or paths -- out of all the world -- do you choose for yourself and your life? Older Tarot decks sometimes depicted the Lovers card with two women and one man, to illustrate this aspect. Sometimes one of the women would also be shown or interpreted as the man's mother, accentuating the difference between families of birth and families of choice.

(There is also the lesson here that truly loving someone is a deliberate choice, which implies a different relationship approach once you've passed the emotion/hormone-driven limerence stage of things. But I'll save the relationship discussions for another time, and stay closer to the general theme of choice for now.)

So let's come back to "Obedience." What I see happening here is that obedience brings choice into a different context. Whereas love is an internal choice (you can have unrequited love, for instance, where the object of your affection perhaps isn't even aware of it), obedience is more external, rooted in the world around you. Someone (a person, God, etc.) or something (a law, a moral principle, a street sign, etc.) requires something of you, and only then can you choose to obey. (If you were going to do it anyway, then it's just coincidence, not obedience.) That's why this angel card is illustrated with a street light, as an example of an external requirement. The angel could, of course, run the red light, but she chooses to stop.

This interpretation of obedience as choice has two important results. First, it puts the power back with you, not with other people or the world around you. Rather than just helplessly doing whatever everyone wants you to, you're consciously thinking, examining, and deciding.

That examination leads to the second point, which is that you can become aware of what you are obeying and why, and start making decisions between these sources and reasons. Do you obey your religious upbringing, or peer pressure? Your boss, or your spouse? Speed limits, or your impatience? Because it will make you happy? Because it will make someone else unhappy? Because it's better for the world at large? If you consider your obedience a currency, what causes will you invest in or support?

Listen to the difference, just in a simple case: "I'm driving the speed limit because that's the law and I have to do it." (Alternatively, "I'm speeding because I'm impatient and I feel like going fast.") VERSUS "I'm driving the speed limit as a way of keeping the streets safer, reducing accidents, and setting a good example for other drivers to do the same." Which would you rather have?

So how will this play out in my own life? I don't know yet. I'm definitely in an extended transition time these days, which means there are lots of choices to be made and I have no clue where it will all lead. This past year of being unemployed has given me some good opportunities to choose to do a number of things that I want and love to do. But this phase has also been less "obedient" to the structure of society at large, primarily in the areas of financial stability and employment. I've been feeling that tension for a while now, and it will have to be reconciled at some point. So I hope I'm able to make the right choices and find the right way to fit my life into the world.