Wednesday, May 30, 2007

Hooked on Crack

As you may have surmised from the title of this post, I've started going to a chiropractor recently: Dr. Shawn "The Spine Man" Stephenson of Stephenson Chiropractic in Los Altos. I've only had a few visits so far, but I'm already more than happy to give him a glowing recommendation, if any of you in the area are looking for a good chiropractor. I particularly like that he is very focused on patient education, really making sure that everything is explained and understood, which is great because I always ask a bunch of questions anyway. He's also just a generally wonderful, nice, funny guy. And everyone else I've seen in his office so far seems absolutely delighted to be there having him work on them, including the lady who was getting put back into shape after a car accident. Plus Mom's been seeing him for several months now as well, and she raves about him too. So what more do you need? :-)

As for what I'm doing there, I had considered going in to see him a few weeks ago, when my back was stiff and sore from hiking around Ireland and taking long plane flights. But I got busy and distracted, and then got back to feeling normal on my own before I actually got around to doing anything about it. Then last week I had a very bizarre experience, where I was woken up from a deep sleep in the middle of the night by a surprisingly sharp pain in my back. Completely random as far as I can tell, unless I was lifting heavy objects in my dream or something. It gradually faded over the next few days, but not before it had worried me enough to want to get checked out. So I did, and I got some x-rays and had Dr. Shawn poke around at my spine for a bit.

Turns out I'm in a situation fairly common among people who have spent a great deal of their lives reading, drawing, hunching over keyboards, and things like that. (Dancing is probably my one hobby that tries to counteract all this bad posture, but it's outnumbered, I'm afraid.) As a result of this, an x-ray shows that my neck has lost about 58% of the curve it's supposed to have, putting my head about an inch too far forward, which adds an extra 20 lbs of pressure to the muscles in my back and shoulders. The particular pain that brought me in was probably just caused by something very small that just happened to come at the wrong time, on top of my back's general out-of-shape-ness, and bumping it into a painful state for a bit. So while it did let me off easy this time, eventually fading on its own, its main function was as a warning flag. After a couple visits with Dr. Shawn, I decided it was probably a good idea to heed that flag and get this taken care of.

So I'm going in a few times a week now, to enjoy a few minutes of manhandling, spine crunching and getting coaxed into shape. It's very satisfying to have that done by someone who's so good at it. I'm also trying to break my habit of cracking my own back and neck, so I don't mess with any of the work he's doing. Apparently back cracking releases endorphins and such, which your body likes, so I guess it's as much a substance addiction as a plain old habit. But Dr. Shawn is going to be my main supplier of those chemicals now, so I'm practicing resisting the urges.

It'll probably take a while to notice any significant changes, but there are interesting things to observe even at this stage. After the last couple adjustments, I've actually noticed myself breathing a little differently. I don't normally have any trouble breathing, but my breath just felt a little clearer and more open for a little while. I'm also being much more conscious of my posture and precisely how unergonomic I am a lot of the time. As a musician and a computer person, I've spent a lot of time making sure things are ergonomic for my hands, and a lot less time thinking about my neck and back. So there's something to start focusing on more now.

Sunday, May 27, 2007

The Last Few Steps

Night and Day First impressions are all well and good, but it's the ending, I think, that can really make or break a dance. Or make it, anyway. If three or four minutes of my life have a so-so ending, it's no big deal. But if we manage a perfect wrap-up, that's something I'll be taking home with me.

As for what makes a good ending, I'll say that the flashy stuff is fine, and indeed required sometimes if we assume you're going to actually be musical about your dancing (and I do assume). But I'm not so good at flashy. My favorites tend to be the gentler, more romantic endings. It can be something very simple, like the ritard at the end of Congress of Vienna, which fits beautifully with three pivots and a slight tango close. If you have a good connection with your partner, then this is where you can really savor it for a few finals seconds before it's all over. The picture here is a beautiful example, with Fred Astaire and Ginger Rogers dancing to "Night and Day" in The Gay Divorcee. The dance ends with a small dip, two pivots, and then setting her gently down on the couch or whatever that is there, leaving her speechless. That's one of my favorite bits in all their dances. (Though I could do without Fred dusting his hands off afterwards and offering her a cigarette. Spoils the moment a bit.) Another nice one is "Cheek to Cheek," from Top Hat, where they both spin gently down to lean against the wall, gazing into each other's eyes.

And then, of course, it's also fun to just do something random and different once in a while. I was dancing with Lilli Ann, the DJ, at the last Friday Night Waltz, and I knew she had to be back at her computer as soon as the song ended, to queue up the next one. I managed to time the ending just right to deposit her hand on her keyboard with the last note. I was rather amused with myself for that. And at one of the swing dances in Dublin, I interrupted a conversation with Danielle to dance with her. For the ending I managed to steer us right back into a couple of the chairs that lined the dance floor, so we could pick up talking where we left off. A little awkward since the chairs were slightly high (more like barstools), but it more or less worked.

Now, two questions for any of you dancers out there who want to comment: (1) What are your favorite dance endings? and (2) What's the best thing to do when you're stuck in a song that ends with a fade-out?

Wednesday, May 23, 2007

Another Plug for eMusic

So here's another "pro" for the list on my initial post about eMusic. I got an email from them today (yes, I signed up for it) that mentioned they're giving away for free two CDs worth of the 2007 Independent Music Awards Winners. I think you probably still have to be a subscribed member to get these free, but still, that's nearly 3 hours of music there. It's a nice variety of stuff, so it ranges from more to less within my usual tastes and was a fun sampler to listen to. Props to eMusic for that.

Sunday, May 20, 2007

What Should I Eat?

The Way We Eat: Why Our Food Choices Matter, by Peter Singer and Jim Mason, was recommended to me by Antonia and made a good followup to The Omnivore's Dilemma. Some of the information in it is similar, but it also spends more time talking about things like free trade and economic considerations, and also explicitly addressing various ethical arguments about what we eat. So it did some serious work on the internal debate slowly going on in my head about whether I should become vegetarian or vegan.

First, here's my current situation: I eat beef and pork pretty infrequently, and fish only slightly more. The majority of the meat I eat is poultry, and I think even that is in reasonably modest amounts. A good portion of my meals are vegetarian already, thanks to the fine chefs at work providing veggie options. So why am I not vegetarian or vegan yet? I'll list my main reasons, and then further thoughts on them from reading Singer and Mason's book.

Human beings are omnivores. Why should I go against Nature?
This kind of a view may be somewhat supported by Michael Pollan's argument about domestic animals co-evolving into a symbiotic relationship with people. However, factory farms and such things go pretty violently against Nature, supposed symbiotic relationships or not, and it can be a lot of work to find and verify more humane sources of meat and animal products. And of course, just because we are something "naturally" doesn't mean it necessarily shouldn't be transcended. E.g. it would be right for a "naturally" belligerent person to learn to control his temper. So while I still do not feel that eating meat is outright wrong, in and of itself, there are so many other wrong factors involved in most meat eating today that I'm willing to let this go of this particular argument. It's just a lazy reliance on the status quo anyway.

Effort vs. Benefit
Vegetarian might be reasonably do-able, but going entirely vegan has always seemed like a great deal of work for me. Food is nice and all, but I've never really been interested in devoting much time or energy to it. That's why I've never learned to cook much and base a lot of my food choices on the "quick and easy" criteria. Being vegan seems like I would have to start allocating way more brain cycles, time, and effort into figuring what I can eat in any given situation, and I'm not crazy about that. It makes me wonder if the incremental benefit of cutting out animal products from one single person's diet is worth it, especially if I'm not a heavy meat eater anyway.

I'm still on the fence about this. However, there are a few points from The Way We Eat that can put the benefit into perspective. I will call them the three E's, just because I can.
  • Efficiency: It takes 21 lbs of plant food to produce 1 lb of beef. The ratio is less dramatic for other meats, but the fact remains that we can feed more people far more efficiently if we use more plants and less meats.
  • Environment: Due to all the factors involved in meat production, switching from an average American meat eating diet to completely vegan saves the atmosphere from 1.5 tons of CO2 a year. That's half again as much as the benefit of switching from a regular to a hybrid car.
  • Evangelism: The more vegetarians and vegans that omnivores see out there "in real life," the more normal it will seem, and the more the ideas and practices will spread. So there would be some amount of a snowball effect, beyond simply my own personal decision (though unfortunately we don't have a good number to measure that).
Practicality and Social Factors
This is perhaps just a more specific example of the "Effort" point above, and can probably be addressed by the same benefit arguments, but I'll list it anyway. If I'm visiting an omnivore who is kind enough to host and feed me, I don't want to put them to extra work just to accommodate me. If I travel somewhere, I want to try the foods the natives eat. For that matter, I want to be adaptable, and not thrown off by places that may not have a lot of vegetarian options. Now that I think about it, maybe there's actually some primal survival instinct at work here, making me reluctant to artificially restrict my possible food sources.

Food I Like
I'd like to say my will power makes this a non-issue, but really, there's stuff I'd be sad to stop eating. I'm thinking fondly right now of some salmon I had on Friday, but I could probably deal with cutting out meat, I think. (And yes, fish are animals.) Cheese might be more problematic. I wouldn't much miss milk and eggs in and of themselves, but they do go into certain wonderful things that would be painful to give up, and here my sweet tooth begins clamoring about ice cream and cookies, though other things could fall in this category, too. Unfortunately, I didn't get much out of the book to address this issue, aside from the fact that there are more and more vegetarian/vegan animal product alternatives available now than ever before. Having tried some such things, I don't necessarily find them all convincing, though admittedly I don't have a wide experience. Though do they really need to be "convincing" substitutes, or just good in their own right? As an example, I got to help make vegan ginger apple ice cream with Antonia this afternoon. To me, it still seems significantly different from "real" ice cream. It was, however, very good. (Thanks, Antonia!)

Conclusions
None at this time. However, I am going to start experimenting a bit, first by paying more attention to how many things I regularly eat that contain animal products, and second by seeing how many of them can be eliminated without too much effort. (I'm thinking all meat here, at the very least.) At that point, I'll need to take another look around and see what kinds of things are left, how much of them I'm consuming, and what my alternatives are. We'll see where this takes me.

Thursday, May 17, 2007

Trying Out eMusic

Very belatedly taking a tip from Case, I went to check out eMusic.com yesterday. Initial impressions:

Pros:
  • No DRM.
  • Good prices (about 30-60¢ per track, depending on your plan).
  • "Booster packs" to supplement your regular subscription.
  • Pretty easy, smooth download process, once you've installed the Download Manager.
  • 25 free songs for your trial period.
Cons:
  • I had trouble at first figuring out how to browse their selection without signing up. (If you get the giant promo page, click through to the about page in the footer, and browse from there.)
  • You have to subscribe to a monthly plan, which doesn't carry over after the month is up.
  • The site wouldn't let me find any info on the booster packs until I'd already signed up for a paid account.
  • You can't search their help site. Sheesh, people, come on.
So I got my free trial, and then went ahead and took their cheapest subscription as well (30 tracks/month for $9.99). That let me get all three disks worth of Tom Waits' Orphans set. I'm still browsing around to determine what sort of a selection they have to go with my tastes, but I'll probably give it a try for a while, at least until we see what sort of a digital music store Amazon comes out with.

The forced-subscription thing is my biggest peeve about this, especially when things don't carry over. I'd be more than happy to just live off their booster packs (units of 10-30 tracks at a time), as long as I could get them when I wanted and use them when I wanted. It's a pity you can't just get those without a subscription. On the other hand, if I have trouble finding new stuff that I want each month, I figure I can always use my monthly quota to legitimize those parts of my music collection that may have come from *ahem* other sources. And that would probably be a good thing.