I found a new commute project — learning Tuvan Throat Singing. I actually got started on that by listening to the Baby Gramps CD last night. He actually does some Tuvanesque stuff along with all his other "vocalisthenics." (Incidentally, Baby Gramps actually stayed over in our guest room last night — Daniel was thrilled. He was in too late and I was out too early, though, for me to meet him.)
I found out last night that it's not actually too hard to whistle and hum at the same time. I can't vary the notes independantly or do anything very complex with them, but it's still kind of cool. I also found some articles to read about singing in harmonics. Then in the car today, I was experimenting with droning on a low note and changing the shape of my mouth and the position of my tongue to try and bring out higher harmonics. I thought I could hear something working once or twice, but it wasn't very strong. I should try taping myself to see how much it's audible outside of my own head. But I at least felt like I was getting an idea of how it might work once I get better at it. It's pretty neat.
For the reader who wants to follow along at home, try this: Sing as low a note as is reasonably comfortable. While singing, and without changing the note you're generating in your throat, put the tip of your tongue against the backs of your upper teeth. Now press the sides of your tongue against your molars. Experiment with slight adjustments of your mouth, lips and tongue to see if you can get high, whistling harmonics to come out above the drone. It's hard. I think there are lots of other ways to do it, too, so if anyone figures out anything else, let me know.
I think there's also a throat singing technique that helps you sing notes lower than your normal range, sort of like subharmonics on a violin. That would be really neat, too, though I don't know how much it would help in making me a bass for shape note singing. Now that I think about it, it would be cool to try learning to play subharmonics, too. I never got very far when I tried it a couple years ago.
Anyway, the throat singing stuff make a good car project. Almost makes me wish I had a longer commute. (Well, not really.)
Infrequently updated these days, but there are lots of thoughts about lots of things here.
Wednesday, October 15, 2003
Tuesday, October 14, 2003
Interviews, again
I got my second round of interviews scheduled for Thursday afternoon, 3-4:30. I think this will be the last specific thing they'll have to evaluate me on before making a decision. Exciting. I'm glad it's all moving along fairly quickly.
Monday, October 13, 2003
Sugar-coated Butterlumps — with Egg!
I had another visit with Miriam yesterday before she takes off for New York again tomorrow. Among other amusing things, we made cookies. They weren't quite the way I usually make them, and they had us moderately alarmed for a little bit, but they actually turned out okay. So I'm glad for that, even though we didn't get to use the new name we were preparing for them.
We also played a bit of piano, which was fun, though I am woefully out of practice, not having played since early summer. It's pitiful. Still, I managed to play some accompaniment to go with a story Miriam was telling me, and that turned out to be rather more entertaining than I would have expected. We managed to make a tale of buying pencils into a very dramatic adventure. Music is great.
Mom is coming to visit for lunch at Google today. Yay! We will probably get something much better than sugar-coated butterlumps.
We also played a bit of piano, which was fun, though I am woefully out of practice, not having played since early summer. It's pitiful. Still, I managed to play some accompaniment to go with a story Miriam was telling me, and that turned out to be rather more entertaining than I would have expected. We managed to make a tale of buying pencils into a very dramatic adventure. Music is great.
Mom is coming to visit for lunch at Google today. Yay! We will probably get something much better than sugar-coated butterlumps.
Saturday, October 11, 2003
All Danced Out
Jammix last night was a lot of fun, especially with Miriam making a surprise appearance from New York. There were two excellent performances: Swing Time (yay Kari!) and a three person version of the hustle performance I saw at Waltz Week (wow). I also realized that I have to get used to steering through Jammix-style crowds again. It seemed overly difficult last night, perhaps because I hadn't done anything that challenging over the summer.
This morning was the second Opening Committee audition, and then a meeting afterwards to help discuss the auditionees. I enjoyed helping, though it was a long morning and I was pretty tired and hungry by the end. When I finally got home around 2, it was a close race between lunch and a nap, but I managed both.
I had been planning on going to the contra dance tonight, and I suppose that technically I still could, but I don't think it's going to happen at this point. It would be fun, but I'm still tired, and there are still other things I want to do with my weekend.
This morning was the second Opening Committee audition, and then a meeting afterwards to help discuss the auditionees. I enjoyed helping, though it was a long morning and I was pretty tired and hungry by the end. When I finally got home around 2, it was a close race between lunch and a nap, but I managed both.
I had been planning on going to the contra dance tonight, and I suppose that technically I still could, but I don't think it's going to happen at this point. It would be fun, but I'm still tired, and there are still other things I want to do with my weekend.
Thursday, October 09, 2003
Reading About Writing, and Vice Versa
Recently I've found myself starting to read more about writing, and also being more aware of writing in general as writing, rather than as pure story or information. The most recent book on this subject for me is Style: Toward Clarity and Grace, which at first glance seems rather textbookish. And I suppose it is, though I think it could actually be quite interesting. It seems to be aimed not so much at teaching arbitrary grammar rules as at really getting to the concepts behind what makes writing good or bad, clear or unclear, and how to switch from one to the other. To me, that sounds rather intriguing. I'd really like to understand language better, and feel like I have better control over it. I think most of my writing ability now comes from what I've absorbed from so much reading over the years, but that's all subconscious and undependable. I'd like to feel like I've deliberately learned something about it as well. It's a pity I wasn't interested in all this when I was still taking English classes. I probably could have gotten a lot more out of freshman WCT if I had been.
This current interest probably just stems from the fact that writing is feeling like a fairly large part of my life right now. A ton of what I do at work is just writing. Granted, that's mostly just bite-sized bits rather than large tracts of prose, but it's challenging sometimes to find the clearest way to convey information. I'm also a lot more conscious of my blogging these days, and probably writing more here than I used to. So writing in general has just been a prominent subject in my awareness recently.
So far in this book, I've only read the introduction and a "Short History of Bad Writing," so I haven't really gotten into the meat of it yet. I liked the description of influences on English from other languages, though. The author took one of his own paragraphs from that chapter and rewrote it as it might have been, had the Normans not won the Battle of Hastings. Very interesting.
This current interest probably just stems from the fact that writing is feeling like a fairly large part of my life right now. A ton of what I do at work is just writing. Granted, that's mostly just bite-sized bits rather than large tracts of prose, but it's challenging sometimes to find the clearest way to convey information. I'm also a lot more conscious of my blogging these days, and probably writing more here than I used to. So writing in general has just been a prominent subject in my awareness recently.
So far in this book, I've only read the introduction and a "Short History of Bad Writing," so I haven't really gotten into the meat of it yet. I liked the description of influences on English from other languages, though. The author took one of his own paragraphs from that chapter and rewrote it as it might have been, had the Normans not won the Battle of Hastings. Very interesting.
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